The phenomenological view focuses directly on the immediate grounds of things; correspondingly, the phenomenological projections of the musical aim at highlighting the immediate foundations of music activities and references, at highlighting the immediate grounds of music itself. In light of the phenomenological view, the encounter with the musical is possible only in the musical immersion itself, the musicalisation. The rational relations concerning the musicalisation lie outside it. They do not reach it, nor comprise it. Conversely, the division of matters into musical and non-musical is based on the musicalisation. And since the only evidence of its exictence is the very act of its accomplishment, the issue of musicalisation comes down to the issue of my own musicalisation. The musicalised I is the core issue of the musical.